THE YEAR 2007 marks the 65th anniversary of a bold experiment: the launch of the Little Golden Books during the dark days of World War II. At a time when the literacy rate was not nearly as high as it is now - and privation was felt by nearly all - quality books for children would now be available at a price nearly everyone could afford (25 cents), and sold where ordinary people shopped. Golden Legacy is a lively history of a company, a line of books, the groundbreaking writers and artists who created them, the clever mavericks who marketed and sold them, and the cultural landscape that surrounded them.

Dennis the Menace began on March 14, 1951 and he went on to become the second most popular cartoon kid in the world (after Charlie Brown). The timing was perfect: the post-war generation, at the height of the baby boom, embraced the perennial troublemaker and turned Dennis into a global publishing, merchandising and multi-media phenomenon, with over 50 million book collections sold, the fondly remembered live-action TV show from 1959-63, two major motion pictures in the ’90s, a full-length animated film in 2002, and many other media tie-ins. The strip currently is enjoyed by readers of over 1,000 newspapers every day.

Ketcham captured the mischievousness, rambunctiousness, and anarchy of a kid’s world better than any other cartoonist. The strip appeals to both parents and children -while parents shake their head ruefully at how accurately Ketcham caught the essence of children’s natural zest for mayhem, children identify with Dennis and the chaos that he leaves in his wake. Ketcham’s gags are funny, subtle and touching, and executed with a vivacious, exquisite line.

Ketcham drew Dennis the Menace from 1951 to 1994, when he retired and let his assistant take over the strip. This fourth volume of Hank Ketcham’s Complete Dennis the Menace publishes every single panel strip from 1957 and 1958 in one handsome and thick hardcover volume. Ketcham’s legendary pen and ink work achieves its full flowering in this volume as do the various situations and themes that Ketcham would return to again and again.

In 1950, Viking published the original English version of Pippi Longstocking, the story of an irrepressible red-haired, freckle-faced girl who lived with a monkey and a horse, slept with her feet on the pillow, and found her way into the hearts of children all over the world. Now, Astrid Lindgren’s best-selling book has been given a sparkling new translation by the awardwinning Tiina Nunnally and delightful full-color illustrations by the critically acclaimed Lauren Child. This large-format gift book is sure to become the definitive edition of a favorite classic.

In this remarkable and beautiful anthology featuring the likes of Maurice Sendak, Robert Sabuda, Rosemary Wells, and Eric Carle, twenty-three of the most honored and beloved artists in children’s literature talk informally to children-sharing secrets about their art and how they began their adventures into illustration. Fold-out pages featuring photographs of their early work, their studios and materials, as well as sketches and finished art create an exuberant feast for the eye that will attract both children and adults.

Mr. Michaelis referred to numerous interviews throughout Charles Schulz’s life in which he talked about his own "melancholy" and anxieties. "I have this awful feeling of impending doom," he said on "60 Minutes" in 1999. "I wake up to a funeral-like atmosphere." Many portraits of Schulz pick up the same theme. Rheta Grimsley Johnson’s 1989 biography, "Good Grief: The Story of Charles M. Schulz," similarly describes him as depressed and plagued by panic attacks, despite a large family and mammoth financial and critical success. Nor does it seem that Mr. Michaelis made a secret of his perspective. He wrote an appreciation of Schulz in Time magazine in December 2000 after his death at 77 in which he clearly laid out the thesis he expands on in his 655-page book, sometimes word for word.