Billy Idol Should Be Dead

Do you know who William Michael Albert Broad is? Most people don’t, but almost everyone knows his alter ego: Billy Idol. The name “Billy Idol” was born from a cheeky twist of fate when a school chemistry teacher labeled him “idle” on a report card. Rather than take it as an insult, Broad embraced it and transformed it into a symbol of rebellious swagger that would become iconic in the annals of rock history.

Billy Idol first burst onto the American music scene in the early 1980s, a striking figure with spiked platinum hair, a sneer that could cut glass, and a leather jacket that practically screamed anarchy. He didn’t just arrive—he detonated, bringing the raw edge of British punk into the glossy, image-driven world of MTV and making it accessible to a whole new generation of fans.

With his trademark whiplash smile and a rebel yell that refuses to fade, Billy Idol has defied expectations and lived to tell the tale louder and prouder than ever. Now, audiences get a front-row seat to the rise of punk’s last true outlaw in Billy Idol Should Be Dead, the definitive documentary premiering at the Tribeca Film Festival in New York City on June 10th.

Whether you’ve been a fan since the days of safety pins and snarling guitars or you’re just discovering the man behind the sneer, this film is a high-octane tribute to resilience, reinvention, and rock ‘n’ roll. Grammy Award-winning director Jonas Åkerlund makes a triumphant return to feature-length documentary filmmaking, peeling back the leather-studded layers of Idol’s life—from his anarchic beginnings in the punk scene to his transformation into an MTV-era icon.

Long written off as a rockstar doomed to flame out, Billy Idol has done more than survive—he’s thrived, continuing to evolve musically while staying true to the gritty spirit that made him a punk legend. Billy Idol Should Be Dead is not just a documentary—it’s a celebration of a legacy still in motion, a look at how punk fused with pop to create a sound, a style, and a star that simply refuses to fade.

Billy Idol stands out as one of the rare artists who managed to take a well-known song like Mony Mony—originally by Tommy James and the Shondells—and transform it into something uniquely his own. His version became so iconic that many people today aren’t even aware it’s a cover. There’s a bit of delicious irony in the fact that he’s currently touring with Joan Jett, another artist renowned for turning covers into career-defining hits. Her smash rendition of I Love Rock ‘n’ Roll, originally recorded by the Arrows and written by Alan Merrill and Jake Hooker, became a cultural anthem. On top of that, she also covered Crimson and Clover—another hit from none other than Tommy James and the Shondells. It’s almost poetic that both Idol and Jett, each known for reimagining songs by Tommy James, now share the same stage.

Now, more than forty years later, Idol stands as a survivor with stories to tell and the clarity that only time can offer. He’s weathered the storms of fame, addiction, reinvention, and revival—emerging with a deeper understanding of the wild ride he’s been on. Call it luck, fate, or sheer force of will, but Billy Idol has lived a life that feels nothing short of charmed—and he’s still not done rocking.