Christoph Niemann’s Wooster Street
Christoph Niemann’s minimalist interpretation of Wooster Street for The New Yorker is a thing of beauty. Dabs of colour come alive to create a lonely reflective cobblestone street enveloped by concrete buildings.
Christoph Niemann’s minimalist interpretation of Wooster Street for The New Yorker is a thing of beauty. Dabs of colour come alive to create a lonely reflective cobblestone street enveloped by concrete buildings.
Preston Blair began his career in the early 1930s at the Universal studio under Walter Lantz and Bill Nolan. He went on later to work for all the major animation studios from Walt Disney to The Flintstones at Hanna-Barbera for over 50 years. You will recognize his footprint in animation through the halcyon days of animation. However, he is better known for his book, Cartoon Animation with Preston Blair, published in 1948. A brand-new edition of Cartoon Animation with Preston Blair is available by Walter Foster Publishing, an imprint of The Quarto Group.
I love fonts! Font Meme is the ideal stop for fronts from pop culture. Ever wonder which font is used for either logos, films, TV shows, video games, books and more? Fret no more Font Meme dissects your favorite fonts from all sectors of business.
Sonia Rose pays homage to breasts with her line of Goddess Pots
New readers by Giulia Sagramola.
The first Goths?
Yes, even super-heroes take baths.
You just dodges a bullet. The wedding is cancelled. The New York Times commissioned Jessica Hische to come up with these subtle humorous cards about cancelled weddings. Did you know you could sell your cancelled wedding and honeymoon to recoup your lost money? Now you can profit on from somebody’s misery. CanceledWeddings.com is “The World’s Biggest Online Market for Buying and Selling Canceled Weddings & Honeymoons.”
The sun generously bestows its radiant golden glow, it’s the perfect time to embark on aquatic escapades with the delightful company of Snoopy!
I am a fan of Ivan Brunetti’s simple art. He is a regular cover artist for the New Yorker. After inspection, I realized the cover was about de-cluttering. Simplicity is the best.
Gustav Klimt’s iconic masterpiece, “The Kiss,” is brilliantly brought to life through this innovative and imaginative costume concept.