Entertainment

Sylvester the cat, a black and white tuxedo cat with a large red nose, is bent over a small, round birdcage, trying to reach Tweety Bird. Sylvester's body is stretched out, with his head and front paws inside the cage, while Tweety, a small yellow canary, looks up at him from the bottom of the cage with a calm expression. The scene takes place indoors on a light-colored floor.

Why I Hate Tweety

Why I hate Tweety Bird, from his treatment of Sylvester to his strange origins, boy-or-girl mystery, and the cartoons that make him look less innocent.

A black and white still from the film 'The Ghost and Mrs. Muir' shows Gene Tierney as Mrs. Muir and Rex Harrison as Captain Gregg. Mrs. Muir, on the left, looks up and to the right with a thoughtful expression, wearing a light-colored dress with a lace collar. Captain Gregg, on the right, looks down at her with a serious expression, dressed in a dark coat and sporting a beard. They appear to be on a ship, with a window showing the ocean in the background.

The Ghost and Mrs. Muir: What the Movie Changed

The 1947 classic The Ghost and Mrs. Muir is more than a romantic ghost story. Here’s what the movie changed from the novel and why Captain Gregg may be more controlling than protective.

The Grinch Halloween TV Special Nobody Remembers

Why is Halloween Is Grinch Night so strange? A look at the forgotten Grinch special, Euchariah, Max, Hans Conried and its surprising Emmy win.

A vintage movie poster for "Bela Lugosi Meets a Brooklyn Gorilla" features a large, brown, furry gorilla with its arm around a smiling woman in a red floral bikini top and sarong. To the right, an older man with a stern expression, Bela Lugosi, looks forward, while the bottom left corner shows a close-up of a man in a green hat looking up in fear. The poster also includes smaller images of men in suits and a woman with a gorilla, along with the film's title and cast names in colorful text.

The Worst Movie You’ll Ever Find: Bela Lugosi Meets a Brooklyn Gorilla

Bela Lugosi, Jerry Lewis imitators, a gorilla suit and Hollywood controversy collide in this bizarre 1952 cult movie.

A black and white advertisement for 'The All-Night Show' on MTV Channel 47. A smiling security guard named Chuck, wearing a uniform and cap, points directly at the viewer while standing next to a vintage television set displaying the show's title. The ad features text bubbles saying 'HEY YOU! We watch... Starring THE ALL-NIGHT SHOW Chuck the Security Guard' and 'CANADA'S FIRST 24 HOUR TV STATION Presents THE ALL-NIGHT SHOW MTV Channel 47 Cable 4 Multicultural Television'.

There Was a Time When Television Went Silent for Six Hours a Day

Before 24-hour TV, stations signed off for hours. Meet Chuck the Security Guard and discover what happened when television had to fill the overnight void.

A promotional image for 'Rocktober' by Rhino Records, featuring a black and white banner with 'ROCKTOBER' in a jagged, rock-style font and 'RHINO' below it. Below the banner, three colored vinyl records are displayed. From left to right: a red vinyl with the album cover 'Love' by Love, a red vinyl with the album cover 'Forever Changes' by Love, and a blue vinyl with the album cover 'The Monkees Present Micky, David, Michael' by The Monkees.

Show Us the LOVE! Rhino Gives Arthur Lee and Love Another Spin

Rhino’s Rocktober gives Arthur Lee and Love another spin with three limited-edition albums, but the real Love story begins with Forever Changes.

Netflix Is Bringing Back the TV We Forgot We Missed

Netflix Canada is bringing a collection of classic television to its streaming lineup, raising an interesting question: are viewers looking for nostalgia, comfort or simply something familiar to watch?

Get Jiro: Anthony Bourdain’s Wild World of Chefs, Comics and Food

Anthony Bourdain’s Get Jiro! opens a deliciously strange world where chefs, comics, food culture, Jughead and Condiment King collide.

The Doors: In The Beginning: 1966 Sessions Take Us Behind the Studio Doors

Step inside Sunset Sound with The Doors as early takes of “Moonlight Drive” and “Indian Summer” reveal the experimentation, studio banter and unexpected magic behind two future album tracks.

A collage of black and white stills from various horror films featuring Bela Lugosi, surrounding a central graphic that reads "BELA LUGOSI'S STINKERS" in dripping green and yellow letters. The central graphic depicts a overflowing trash can with film reels, banana peels, and crushed cans, all covered in green slime. The surrounding stills show Lugosi in different roles, including a man in a suit and fedora looking menacing, a scientist with a woman on an operating table, a man with a werewolf, and Lugosi as Dracula. The overall mood is campy and humorous, celebrating Lugosi's lesser-known, B-movie horror roles.

Bela Lugosi’s Worst Movies: When the Horror Legend Hit Rock Bottom

Bela Lugosi’s worst movies reveal the strange, sad final chapter of the Dracula star’s career, from Poverty Row productions to Ed Wood’s films.

Ace in the Hole: The 1951 Movie That Feels Modern

Billy Wilder’s Ace in the Hole, starring Kirk Douglas, is a 1951 film about media greed, sensationalism and the public appetite for tragedy that feels remarkably modern.

A tall, precarious stack of music CDs in their jewel cases stands upright against a white background. The stack leans slightly to the right, with the top CDs appearing to be on the verge of toppling over. The spines of the CDs are visible, displaying various album titles and artist names in different colors and fonts.

We Killed the CD. Now We’re Bringing It Back From the Dead.

We killed the CD, dumped the evidence and moved on. Vinyl is growing, CDs are surging and a new generation is discovering the music we thought we’d left buried.