Roger Moore: The Man Who Haunted Himself

If there were ever any doubts about Roger Moore‘s acting prowess, “The Man Who Haunted Himself” effectively dispels them. Initially overlooked upon its release, this film is now recognized as a significant missed opportunity. In this role, the former Saint and future James Bond abandons his usual “man of action” persona to deliver a riveting performance as a businessman teetering on the edge of a nervous breakdown. This departure from his typical roles is refreshing and showcases Moore’s versatility as an actor.

“The Man Who Haunted Himself” allows Roger Moore to step out of his comfort zone in a captivating tale of madness and passion. The film features creatively shot scenes that elicit genuine awe. Although the pacing can be slow at times, it is a must-see for Roger Moore fans and of offbeat cinema. This eerie psychological thriller follows the story of Harold Pelham (portrayed by Moore in a gripping and atypical performance), a conservative executive who survives a car accident only to be declared momentarily dead.

Upon his release from the hospital, Pelham discovers that an exact double of himself has been seen in places he has never been, usurping his family, sabotaging his business, and even engaging in an extramarital affair. Is Pelham being tormented by a doppelgänger with a penchant for the wildlife, or is he descending into madness?

“The Man Who Haunted Himself” was Roger Moore’s final film before he took on the iconic role of James Bond in seven classic 007 movies. It also marks the last directorial work of the legendary Basil Dearden (known for “The Mind Benders,” “Dead of Night,” and “The League of Gentlemen”). This film is a testament to Moore’s acting range and Dearden’s directorial prowess, making it an essential watch for cinema fans and a hidden gem in psychological thrillers.