The Big Heat (1953) is a hard-boiled noir classic, restored by Criterion. Gritty, explosive, and unforgettable—this film still scorches decades later.
Posts tagged as “film noir”
I am a big fan of NOIR CITY Magazine. The magazine is dedicated to film noir. The latest issue focuses on matinee idol William Holden.
If you watch Noir Alley and read Eddie Muller's Dark City revised and expanded edition, you will be blasted with a cornucopia of information about the origins and politics of the Film Noir from all the creators. The creators lived lives as complicated as their characters. Muller's book is more than a picture book, it's the top book on Film Noir movies. Muller has single-handed created a Film Noir universe, from actors to writers, many jumped from movie to movie. Dark City is a great read into old Hollywood and a genre long gone, often imitated, never duplicated. I never put down Dark City, Muller is a wordsmith of the highest caliber. This is the definitive book on Film Noir.
Better late than never. Here is a little gem that flew under my radar. I am enamored with narrative poetry. The Long Take by Robin Robertson harks to works such as Joseph Moncure March’s The Set-Up and The Wild Party. I discovered The Long Take through the library app, Libby. I plan to buy a hardcopy version of the book. Being a Film Noir enthusiast, this is a great find. Narrative poetry is a niche market, when you find a good one, you cannot put it down.
I am a big film noir buff. The Criterion Collection is releasing Pickup on South Street (1953) this June 29, 2021.
The very best portrait photography of the film-noir era, with previously unpublished images from beloved gems such as The Night of the Hunter and Sweet Smell of Success.
The killer is silent and invisible. Film noir movies' main antagonist usually is a femme fatale or a jealous lover where circumstances went awry and killing was the only way out. The killer is never deadly smallpox virus.
"Where Dangers Lives" showcases a curated selection of film noir posters, offering audiences a deeper understanding of the classic films they represent.








