Christoph Niemann’s New Horizons cover for The New Yorker reflects AI anxiety, nostalgia, and a Robotron-inspired memory of saving humanity.
Posts tagged as “The New Yorker”
In The Land and Its People, the collection that follows Happy-Go-Lucky, Sedaris turns his observant eye toward what it means to be a foreigner, a brother, a partner, and a lifelong friend.
A personal, funny look at James Thurber, his New Yorker cartoons, shaky lines, marriage jokes, blindness, and why his humor still unsettles and endures.
Bob Mankoff shares why human judgment, empathy, and humor remain irreplaceable as AI transforms creativity for artists and creators.
Netflix: The New Yorker at 100 explores the magazine’s legacy through rare footage, interviews, and behind-the-scenes access to its editors, writers, and artists.
Dorothy Parker’s razor-sharp wit in this new Everyman’s Library Pocket Poets edition is timeless, elegant, and packed with Jazz Age charm and biting humor.
Barry Blitt's satire on Inauguration Day in The New Yorker explores humor in politics, Elon Musk, and Ann Telnaes's resignation over a controversial cartoon.
Acme Novelty Datebook Volume 3 is being released by Drawn and Quarterly, a top indie publisher, offering a must-have for fans of Chris Ware’s detailed artistry.
French cartoonist Sempé perspective of America is a poetic journey, where humor delicately guides the reader, revealing the subtle nuances of his experiences.
New Yorker cartoonist Zoe Si takes on the role of cartooning mentor, guiding The Bear's Ayo Edebiri through the intricate process of creating a cartoon.
The New Yorker explores the artistic vision of celebrated artist Daniel Clowes, exploring his muse and the opulent existence of society's elite. Quiet Luxury dissects the lives of the staggeringly wealthy.
Adrian Tomine’s “Fall Sweep” for the New Yorker magazine. The Drawn and Quarterly artist discusses walking for inspiration and working collaboratively.
Christoph Niemann's minimalist interpretation of Wooster Street for The New Yorker is a thing of beauty. Dabs of colour come alive to create a lonely reflective cobblestone street enveloped by concrete buildings.
Ana Juan has created over twenty covers to The New Yorker since 1995. She brilliantly captured the mood of France’s present turmoil. Tony M.If this…
I am a fan of Ivan Brunetti's simple art. He is a regular cover artist for the New Yorker. After inspection, I realized the cover was about de-cluttering. Simplicity is the best.
Thanks? Tony M.If this article made you think, brought back a memory, or made you see something differently, I’d love to hear from you. Send…
This is outrages! Since when is The New Yorker $6.99. The world changed a bit more this week but at Sesame Street things never did.…