Archive for the 'Art' Category


Ward Kimball

Ward Kimball was an eccentric Walt Disney animation artist who had a passion for trains, so much so that he bought himself a real one with tracks and all. He is the man responsible for fleshing out famous Disney icons for the company, heralded by Disney himself as a true genius. Cartoon Brew, home site of Jerry Beck the animation commentary expert has some of Ward’s character designs. An interesting body of work and Ward has his own My Space homage site with the drawings and thoughts from Ward himself. A true testimony of a great artist, the likes of which we do not see today.

Vancouver Olympic mascots: Miga, Quatchi, and Sumi

The Vancouver Olympic mascots were officially introduced this week for the first time. The three mascots Miga the Sea Bear, Quatchi the Sasquatch, and Sumi the Thunderbirdand are inspired by traditional First Nations creatures. Included also is a virtual sidekick Mukmuk the Vancouver Island Marmot and they are all ready for the 2010 Winter Olympics in Vancouver with the release of a games and activities site based on these lovable characters.  Unlike previous mascot attempts from past Olympics, it seems the new crop have a great appeal for all ages. Kids will enjoy the interactive site. This is a great promotional tool to lure kids into the fold. Read more>>

Toon Books, Françoise Mouly & Art Spiegelman new Imprint

Toon Books, Françoise Mouly & Art Spiegelman new Imprint
Here is a recipe for an appetizing collection of books that will be the perfect nutrition for your child’s hungry little mind. For many years I have approached a few publishers to try consider publishing a kid friendly comic book related book line to stimulate kids to read and at the same time build them as future comic book readers. Not in the plans right now, that market is not right for us. Our main audience are adults, was the answer I got. How can you build an audience if the kids are into video games right now, I don’t think they will graduate to comics, just to more violent games. Fret not, Françoise Mouly & Art Spiegelman of Little Lit fame are here to the rescue. Art Spiegelman the champion of the comic form is the architect to make sure he and Françoise continue building new and older readers to their new imprint for young kids called Toon Books. Very apropos. A true welcome idea for parents who have to deal with the old Dr. Seuss fare. Look what happened to Dick and Jane. (who?) Bring out something fresh. So look out in 2008 for this new imprint.

Comics have always had a unique ability to draw young readers into a story through the drawings. Visual narrative helps kids crack the code that allows literacy to flourish, teaching them how to read from left to right, from top to bottom. Speech balloons facilitate a child’s understanding of written dialogue as a transcription of spoken language. Many of the issues that emerging readers have traditionally struggled with are instantly clarified by comics’ simple and inviting format. Read more>>

Zuda’s Alpha Monkey

I have seen the future and it’s called Zuda. Zuda? This is a DC online comic experiment to bring in new talent to the masses. There are many properties that many publishers would not print, but Zuda is up to the task of taking a risk and putting them on the online map. With the premiere of the site up and running, we are treated to a new character called Alpha Monkey for all ages. Created by Howard M. Shum and Bobby Rubio, Alpha Monkey is a highly polished little strip in glorious Flash to accommodate and screen resolution of your computer. It’s fun to glide through the easiness that the site offers. It’s a whole new way to see the comic media exposed in such a new light. Great to see the big boys taking the Internet as a serious tool in discovering new talent.
Hitch is a smart-mouthed, egotistical 8-year-old kid, whose dad is a brilliant, but whacky, scientist who thinks Earth will soon be destroyed by a giant comet. Hitch’s dad builds a rocket to send his beloved son safely to a distant planet, but the rocket ends up opening a dimensional rift in space and crashes Hitch on a planet inhabited by intelligent monkeys. Not only that, but the comet also ends up missing Earth. On this monkey-world, Hitch discovers that when he eats bananas, he gains amazing super powers, such as flight and super strength. As it turns out, the dimensional rift that his rocket created is also allowing monsters from other dimensions to the monkey-planet. Hitch strikes a deal with the monkey-government to fight the monsters while their scientists help find a way to get him back home. He takes on the super-hero name of Alpha Monkey but when not fighting monsters and crime, disguises himself as an ordinary monkey-kid (wearing a cheap plastic Halloween mask).

The Red Hulk


I am getting a bit frustrated lately with the recycling of characters and stories. We had grey, green, and back to grey and green once again for the Hulk. Now we are getting the red hulk. Wow! That is a big change. Let’s give it up for the colorist who has to remember that the red is (D6071B)*. Captain America is dead. The Hulk is red. What next? Thor will be back from the dead.(Oh they just did that one) I would like to see new characters. When was the last time both Marvel and DC created new characters? Not many since the 90’s. Why? Royalties of course. You have pay more for the creations. More for the shareholders if you keep recycling.  Think of all the money when the characters cross over to the big screen and you have to pay the creators. Can’t do that, they don’t have families to feed.  You can’t dish out for in-house royalties. Milk your characters for what they are worth. Now that makes me red. Must be the companies don’t want to see red, keep the books in the black. (000000)*
*denotes Adobe Color Picker (cheap humor) More colors>>

Wired on Manga


Wired magazine is out already this week and they have the coolest issue ever about the invasion of Manga and how it conquered North America. You could buy the magazine or get it free online in a few days. Either way the latest issue is an amazing read. Read more>>

Stick to Drawing Comics, Monkey Brain!: Cartoonist Ignores Helpful Advice


Stick to Drawing Comics, Monkey Brain!: Cartoonist Ignores Helpful Advice
Stick to Drawing Comics, Monkey Brain!: Cartoonist Ignores Helpful Advice
With all the hype about biographies on cartoonists, this slipped under the radar of sorts. Stick to Drawing Comics, Monkey Brain!: Cartoonist Ignores Helpful Advice by Scott Adams. I’ll tell you one thing, I am not a fan of the Dilbert but I am a fan of Scott Adam’s books and his writing. What he cannot get down in cartoon form, he delivers eloquently in words. I am reading at the moment "Dilbert and the Way of the Weasel", it’s a great read for those in business in a comical perspective of this entrenched cutthroat industry in the cubical world. If you are a fan on Office Space or any genre of office related humor, this book is for you. Scott Adam’s new book is a peek into his candid world and rants from his blog. A very articulate individual who conveys a message of hope in a world that resembles the assembly line of a less restrained "Metropolis" world of robotic workers who repeat the same old dull mundane tasks day after day, even his art reflects that. I think Scott Adams in an underrated talent on all levels. I really think his real forte is writing. His books are an amazing read. Read more>>

Schulz and Peanuts CD: A Biography


Schulz and Peanuts CD: A Biography
The audio version of the newest book on Charles Schulz is very compelling to listen to. With the latest wave of controversy of this book from the likes of the New York Times that trickled down to the blog-sphere. I am still a firm believer in body language and when you listen to David Michaelis and see him in the above clip you can see he is enamored by his subject and his conviction for Charles Schulz. If this book is a can of worms, let it be because I can tell you of many people in the spotlight today who have a worse demeanor than him. Good grief, all this talk about Charles and his doom and gloom character fault, tell me we don’t have that in all of us. That is what made Peanuts a household strip, we all related to it, there was a piece of it in it for all of us. Every child can relate to all the characters in Peanuts and we still resonate the effects of that childhood even today. I welcome this biography it’s a self examination of all of us because we grew up with Charlie Brown and remember Lucy with "The psychiatrist is in" routine, consider Charles and yourself sitting on that stool and give her your nickel or should I say several nickels after you buy and read the book from David Michaelis.

Banned Book of Dr. Seuss!


Do You Know What I’m Going to Do Next Saturday?

Did you ever beat
more than one kid at a time?
Well, I’m going to beat
five kids at a time.

And then I’m going to beat
their fathers, too.

Who was Helen Palmer, she wrote the above excerpt from her book "Do You Know What I’m Going to Do Next Saturday?" Helen was 64 when she wrote this little treasure for the Seuss world. She was the first wife of Dr. Seuss and four years later after the publication of the book she committed suicide after battling illness. ??? Not fabrication but true. You don’t see this little book in many places. When you read the book out of context without Lynn Fayman’s pictures you get a whole new world into the Seuss domain. Now talk about the hidden world of Dr. Seuss.

I’ll run around and yell and yell.
Next Saturday I’ll yell my head off.
I’ll blow horns. I’ll blow and blow.
Next Saturday I’ll blow my head off.

No one is going to stop me next Saturday.

Read the full book>>

Hank Ketcham’s Complete Dennis the Menace 1957-1958

Hank Ketcham\'s Complete Dennis the Menace 1957-1958 (Vol. 4) (Hank Ketcham\'s Complete Dennis the Menace)
Hank Ketcham’s Complete Dennis the Menace 1957-1958 (Vol. 4)
Peanuts was cerebral in many levels. Hank Ketcham’s Dennis the Menace was a one panel fast paced gag of mischievous child behavior. Denis was the embodiment of every plotting kid in North America. I grew up in an environment in school where we would get a scholastic mini catalog with the latest books each month and there were two things I always looked for Marmaduke and Denis the Menace. Seems Denis still has legs. Marmaduke on the other hand just disappeared. Both strips resembled each other in many ways but were of different polarities. From canine to kid maelstrom. Denis is a pleasure to read each time it comes out from Fantagraphics. It’s unique shape is a compliment to the format it represents. I love this strip, it made me want to get an ice-cream from Diary Queen. Too bad his face no longer graces the establishment. This is Fantagraphics fourth book of the series. With their stable of Peanuts, Denis, Popeye, and Pogo, it is a safe bet that Fantagraphics has a great future and a perfect niche.
Dennis the Menace began on March 14, 1951 and he went on to become the second most popular cartoon kid in the world (after Charlie Brown). The timing was perfect: the post-war generation, at the height of the baby boom, embraced the perennial troublemaker and turned Dennis into a global publishing, merchandising and multi-media phenomenon, with over 50 million book collections sold, the fondly remembered live-action TV show from 1959-63, two major motion pictures in the ’90s, a full-length animated film in 2002, and many other media tie-ins. The strip currently is enjoyed by readers of over 1,000 newspapers every day.

Ketcham captured the mischievousness, rambunctiousness, and anarchy of a kid’s world better than any other cartoonist. The strip appeals to both parents and children -while parents shake their head ruefully at how accurately Ketcham caught the essence of children’s natural zest for mayhem, children identify with Dennis and the chaos that he leaves in his wake. Ketcham’s gags are funny, subtle and touching, and executed with a vivacious, exquisite line.

Ketcham drew Dennis the Menace from 1951 to 1994, when he retired and let his assistant take over the strip. This fourth volume of Hank Ketcham’s Complete Dennis the Menace publishes every single panel strip from 1957 and 1958 in one handsome and thick hardcover volume. Ketcham’s legendary pen and ink work achieves its full flowering in this volume as do the various situations and themes that Ketcham would return to again and again.

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